SoundConverter

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SoundConverter is an application for batch converting sound files between formats. Just set the options and drag in files or folders to convert. The OSX version is free for files under 500K and $14 for a license. The Windows version is free for many popular formats and has a 14 day free trial. Tags are supported for ape, flac, ogg, mpc, mpeg, mp2, mp3, tta, and wv files.

Supports aif, wav, mp2, mp3, mp4, ogg, flac, ape, shn, m4a formats and many more.
Tired of the slow performance and limited output in AudialHub? Try Soundconverter. What took 45 min in AudialHub took under 15 min in this app.

SoundConverter is an application for batch converting sound files between formats.
Just set the options and drag in files or folders to convert.

Input formats: 4xm, 8svx, ac3, aif, aifc, aiff, al, ape, au, auto, avi, avr, caf, cdr, cvs, dat, dv, fap, ffm, flac, gsm, h263, h264, hcom, ircam, kmp, ksf, la, lu, m4v, mat, mat4, mat5, maud, mov, mp2, mp3, mpc, mpeg, mpegts, nist, nul, ogg, paf, prc, pvf, raw, redir, rtp, rtsp, s16be, s16le, s8, sb, scm, sd2, sdp, sf, sffd, shn, sl, smp, snd, sndt, sph, svx, sw, tta, txw, u16be, u16le, u8, ub, ul, uw, vms, voc, vorbis, vox, w64, wav, wve, xi

Output formats: 8svx, aac, ac3, aif, aifc, aiff, al, ape, au, auto, avr, caf, cdr, crc, cvs, dat, dv, fap, ffm, flac, gsm, h263, h264, hcom, ircam, la, lu, m4v, mat, mat4, mat5, maud, mp2, mp3, mp4, mpeg, mpegts, nist, nul, ogg, paf, prc, pvf, raw, rtp, s16be, s16le, s8, sb, sd2, sf, shn, sl, smp, snd, sndt, sph, svx, sw, swf, tta, txw, u16be, u16le, u8, ub, ul, uw, vcd, vms, vob, voc, vorbis, vox, w64, wav, wve, xi

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LinPlug RMV Drum Addiction VSTi AU v5.0.4 OSX-UB

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1 Machine, 1500 Audio Loops, 2600 MIDI Grooves, 10,000 Sounds


“The RMV is a dream machine, but you need to try it to understand just how flexible it is, how intuitive and easy to use the interface is, how well the library system works. A wonderfull machine”
Coquet Shack, USA 
 

“This is the best time I ever had with a drum machine. It makes it easier to write music again, RMV is the greatest !”
Daniel Nevels, USA 

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PSP Audioware PSP Nitro v1.1.2 VST AU RTAS OSX incl. Keymaker

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  • ProTools TDM/LE 7.3 or later for running RTAS
  • 256 MB RAM
  • Pentium III 600 MHz
  • High Color S-VGA, 1024×768


  • MacOS X 10.4.0 or later
  • IntelMac or PowerPC G4 or G5
  • 512 MB RAM
  • AudioUnit, VST or RTAS compatible host application
  • ProTools TDM/LE 7.3 or later for running RTAS






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Native Instruments Guitar Rig v3.2.1 VST RTAS AU OSX-UB

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Complete Software Equipment to Produce High-end Guitar and Bass Tones

Treat your studio to the ultimate solution for creating perfect guitar and bass tones- at an unbeatable price. GUITAR RIG 3 Software Edition contains all the features and functionality of the GUITAR RIG 3 Kontrol Edition, with the exception of the Rig Kontrol foot pedal. Now featuring authentic emulations of 12 amps, 17 guitar and 6 bass cabinets, four rotary speakers, nine microphones and 44 effects – the multi award-winning guitar studio sets the tone for excellence.


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Camel Audio Alchemy v1.08 VSTi AU OSX-UB

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Alchemy is the ultimate sample manipulation synthesizer. It’s a synth powerhouse and yet is very easy to use thanks to its performance controls and remix pads. Just tweak the library of excellent presets from many of the world’s top sound designers or dive in and analyse your own samples – it’s up to you!

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Genuine Soundware ZD6 v1.1 VSTi AU OSX-UB

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Instrument Background

It was back in the fifties when German inventor Ernst Zacharias invented one of the funkiest keyboards of all times. At first the intention was to make a portable version of a cembalo, but it soon turned into one of the most used keyboards in rock and pop music. You will certainly recognize it in the famous pop song “Superstition”, and in many other funky tunes of the seventies. Many police and investigation story movies and TV shows of the 70′s and the early 80′s had music themes based on funky accompaniments made with the D6, a slap bass and drums. This instrument can reproduce the sound of an electric guitar and can be treated with the same effects used by guitarists (wahwah, distortion, phaser, chorus, etc.) for both rhythmic and melodic textures, since it is actually based on a set of 60 strings and two humbucker pickups very similar to those used in electric guitars. 


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Genuine Soundware VB3 v1.2.2 VSTi AU OSX-UB

1 Star (2 votes, average: 1.00 out of 1)
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Instrument Description

VB3 is a virtualtonewheel organ which simulates an american electromagnetic organ of the old days, but it’s also capable of other simulations like the italian transistor organs of the seventies or the red-tolex organs played by famous pop bands of the sixties.




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Genuine Soundware Type4 v1.0.1 VST AU OSX-UB

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About


spring reverb is a system to obtain artificial reverberation invented during the 40′s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena. 


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Genuine Soundware MrRay Mark II v2.0.3 VSTi AU OSX-UB

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Instrument Description


MrRay73 Mark II is a digital simulation of the famous american electro-mechanical piano of the seventies, invented during World War II by a music teacher, Harold B. Rhodes (1910 – 2000), and widely used in almost all musical genres ranging from soul/black music to jazz, blues, modern and pop. This instrument has rapidly become a legend, and is still used today, altough samples have replaced the real thing so that very often music producers use huge sample libraries or hardware keyboards / workstations to achieve this kind of sonority, and often the result is a cold and ‘dead’ sound, with no vitality, no warmth, nothing that even compares to the unpredictability and genuineness of the real thing.
In 2007 an enterprising and far-seeing american businessman has started a new Company with the aim to re-manufacture the piano using the same recipe of the old factory, employing the same ingredients and offering the same “taste” of the vintage instrument. The new “Mark 7″ piano was presented at the NAMM show and it was a big success. It’s on the market again, after about 20 years, with the same name, same “soul” but largely improved under many important technical aspects. 


In a similar manner, MrRay73 Mark II is the second version of MrRay73, after two years from its introduction to the public, but with a huge difference in sound and functionality. While the old MrRay73 was one of the first successfull simulations of such an instrument, capable of offering similar vitality, warmth and richness of the real thing, the new “Mark II” version brings many new improvements, first of all for what concerns “THE SOUND”.
As opposite to sample libraries, a real-time reproduction of a certain sound has the ability to interact with the musician, producing different behaviours from time to time. Hardly you will hear exactly the same “waveform” twice. MrRay73 Mark II is a complete digital reproduction of the real instrument, with all the moving parts that, together, generate to the sound. 



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Genuine Soundware GS-201 v1.1.3 VST AU OSX-UB

1 Star (4 votes, average: 1.00 out of 1)
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Basic Concepts


Tape echo effects were invented towards the end of the fifties. Presumably the very first tape echo machine was invented by Charlie Watkins of London, England, in 1958. It was based on a small loop of 1/4″ tape onto which audio was recorded by a magnetic head and then read by three separated heads. What was read from the tape was amplified by the internal all-valve circuit and eventually recorded back to the tape, creating the feedback or “sustaining” echo effect. The delay time of the unit was determined by distance of the write head from the read heads, in conjunction with the speed of the tape. Many manufacturers of this era produced their versions of echo machines, mostly based on the magnetic tape system. The famous Binson Echorec was based on a circular drum head with a metallic magnetic stripe. It was used by Pink Floyd at the time of their album “Echoes”. Another famous tape echo machine was the Maestro Echoplex, heavily used by pianist Herbie Hancock. Other notable units were the Selmer TruVoice Echo, the Dynacord Echocord, along one of the most famous and widely used from 1973 to present day: the Roland RE-201. This particular model has a tape loop about 4 meters long which is recorded, read and erased continuously. It consists of one erase head, one write head and three pick-up heads, which when combined with the variable speed DC capstan motor allows many different delay configurations. This machine also offers a reverberation effect based on a spring reverb tank. The combination of echo and reverb gives an “ethereal” ambience effect which eventually inspired the engineers so to name it “Space Echo”. 


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